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glenn gould goldberg variations 1955 vs 1981

I like the '81, though I do prefer the more Chopinesqe #26 on the first recording. In 1955 Gould got through the work in 38 minutes, while in 1981 he took 51; in the later account he does observe some repeats (there were none in 1955), but there is also a broadness, a sense of contemplation in a work that clearly meant more to him than any other. © 2001-2021 Head-Fi.org. Thu 19 Sep 2002 21.03 EDT. http://www.informatik.uni-hamburg.de...itchOnBach.JPG, http://jeanchristianmichel.ifrance.c...chel/bach.html. Options: Expand this article to comprehensively cover both recordings, and change the disambiguation tag to (Glenn Gould recordings) Limit it to the 1955 recording, with a link to a new article on the 1981 recording. It was his first recording of the work, in 1955, that established Gould as a pianistic force of exceptional gifts, while the second studio version he made in 1981 (there is also a Salzburg festival performance from 1957) proved to be his last visit to the recording studio; it was released in September the following year, just days before his sudden death at the age of 50. … You must log in or register to reply here. ... Glenn Gould -The Complete Goldberg Variations (1955 & 1981) : A State Of Wonder. But in the 1981 variations, Gould makes good on his desire for dignity. You may not like everything he does (and the almost arbitrary attitude to repeats in 1981 infuriates purists) but it is piano-playing of an astonishingly high musical and technical order. Classical: Glenn Gould's Goldberg Variations 1955 vs. 1981. In 1981, a year before his death, Goul… Bach: Goldberg Variations (recorded 1955 and 1981): Glenn Gould ... Glenn Gould. Bach - Glenn Gould - The Goldberg Variations Album Performer: Bach - Glenn Gould Title: The Goldberg Variations Style: Baroque Released: 1982 Cat#: SK 93070 Country: US Label: CBS Masterworks Size MP3 version: 1011 mb Size FLAC version: 1635 mb Size WMA … For the most part I listen to my Wanda Landowska recordings, miserable audio quality and all, and also to my Rosalyn Tureck recordings which also have the amazing clarity of line that I crave. Glenn Gould's extraordinary career was bracketed by the Goldberg Variations. In 1955, at age 22, Canadian pianist Glenn Gould signed a recording contract with Columbia Records and recorded the Goldberg Variations. Bach - Goldberg Variations, Italian Concerto in F major BWV 971 [2008] 140.24MB andras-schiff-bach-goldberg-variations 202.62MB; Bach Goldberg Variations (2000-2018) 39.60GB Trevor Pinnock - Bach - Goldberg Variations (24-192) 2.81GB Parker Ramsay - Bach Goldberg Variations (Arranged for Harp)(2020) [24 … For a better experience, please enable JavaScript in your browser before proceeding. Discussion in 'Music Corner' started by Gallileo, Jun 29, 2012. About time we had this poll on this site! Find album reviews, stream songs, credits and award information for Glenn Gould Plays Bach: Goldberg Variations [1955 & 1981] - Glenn Gould on AllMusic - 2012 It's been years since I last listened to it. lenn Gould's extraordinary career was bracketed by the Goldberg Variations. Glenn Gould - A State Of Wonder - Goldberg Variations (1955 & 1981) Release Date: 09/03/2002 Label: Sony Catalog #: 87703 Spars Code: n/a Composer: Johann Sebastian Bach Performer: Glenn Gould Number of Discs: 3 Recorded in: Stereo Length: 2 Hours 33 Mins. later as a young adult I liked the 81 version. For me the 1981 version is a league ahead of the 1955 version. Work: Rednet 3 > DEQ2496 > Wavedream Signature XLR > Stellaris > Verite Closed / HD 6xxM / Utopia, Home office: Bifrost 2 > Nobsound NS-05P > Schiit Vidar > Harbeth P3ESR + Rel T/7i. But still I think I have listened more often to the 1955 which is more natural and demands less purity of mind perhaps to listen to. All rights reserved. In Stock: Usually ships in 24 hours. An interpretation of Johann Sebastian Bach's Goldberg Variations (BWV988), the work launched Gould's career as a renowned international pianist, and became one of the most well-known piano recordings. Here they are, alpha and omega, first and last - the 1955 performance of Bach's Goldberg Variations that won the young Glenn Gould world acclaim, paired with his second, vastly different recording of the same piece, issued only days before the pianist's death on Octo- ber 4, 1982. In the subsequent 20 years, Gould's reputation and stature as one of the most important pianists of the 20th century have been maintained, and these two recordings especially have achieved near legendary status. While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. Source:  Benchmark DAC1, PreSonus Central Station. There are substantial difference between two Gould's versions in relation with tempo. But the eccentricity of his performances, some of which seem wilfully perverse, with their mannered phrasing and exaggeratedly slow or fast tempos, was less easy to take. Glenn Gould's recording debut in 1955 of Bach's Goldberg Variations took the world by storm. Discover releases, reviews, track listings, recommendations, and more about Glenn Gould - A State Of Wonder • The Complete Goldberg Variations 1955 & 1981 at Discogs. Johann Sebastian Bach, Glenn Gould: Johann Sebastian Bach, Glenn Gould - Glenn Gould Plays Bach: Goldberg Variations BWV 988 - The Historic 1955 Debut Recording / The 1981 Digital Recording ‎ (2xCD, Comp, RE) Sony Classical, Sony Classical, Sony Classical: 88725411822, 88725411822-1, 88725411822-2: Europe: 2012: Sell This Version 1982: Glenn Gould – Bach: The Goldberg Variations (1981 Digital Recording), CBS Masterworks, IM 37779 2002: Glenn Gould – A State of Wonder: The Complete Goldberg Variations, 1955 & 1981, Sony Classical, S3K 87703 (3 lemezes kiadás: 1955-ös és 1981-es felvétel, valamint egy kiadatlan felvételeket és egy interjút tartalmazó lemez) Variation No. (...) He wrote swinging bass lines." Both recordings remain catalogue cornerstones, having been repackaged and remastered a … The most startling contrast is in the sheer length of the performances. I'm still trying to find out which ones it was. The one significant exception to this rule is Bach’s Goldberg Variations, which he recorded twice. This set is also very well documented, and comes with a typically penetrating essay by Gould's biographer, Tim Page. By continuing to use this site, you are consenting to our use of cookies. No one could deny his phenomenal keyboard mastery, the almost machine-like control of articulation, and the range of touch and colour he brought to a repertoire that extended from Byrd to Schoenberg. ''Bach was the first jazz musician. 30 variations but it's more like one grand piece of music. It was his first recording of the work, in 1955, that established Gould as a pianistic force of exceptional gifts, while the second studio version he made in 1981 (there is also a Salzburg festival performance from 1957) proved to be his last visit to the recording studio; it was released in September the following year, just days before his sudden death at the age of 50. In the liner notes, Glenn Gould writes that he tried to convey a constant pulse throughout the entire Cd, which I think he managed to do favourably. Which of these two recordings do you prefer and why? In his lifetime Gould was viewed with suspicion, if not downright hostility, in some quarters. An "other-worldly" performance. Bach: Goldberg Variations, BWV 988 (1955 mono recording) Read more. I did hear another amazing Goldberg on harpsichord recently, but it was on the radio so I'm still trying to find out what it was, but I suspect that it was either Blandine Verlet, David Cates or Masaaki Suzuki because they have very popular recordings. Glenn Gould – Aria from Goldberg Variations, 1955 recording When Gould re-recorded the Goldbergs in 1981, recording technology had advanced considerably (stereo and Dolby surround sound had been invented and digital recording/editing could be used for mainstream recordings). The Goldberg Variations is the last recording to appear in Glenn Gould s lifetime, completing the discographical circle that had begun so spectacularly with the same work in 1955. 5 is played in 37 seconds, the identical span of time Gould needed to burn through it in 1955. 1981. His music ... Jetzt mehr erfahren! Andrew Clements. Stream & Purchase. Glenn Gould was born in Toronto in 1932, and enjoyed a privileged, sheltered upbringing in the quiet Beach neighborhood. I feel it more far-reaching, more touchy. Gould's first landmark performance was released in 1955, and it was passionate, fast, and popular -- … 1 min 53sec for '1955'. JavaScript is disabled. The set also includes a disc of outtakes from the 1955 sessions as well as an interview Gould gave in 1982, in which he discussed the differences between the two performances. About. The 1981 recording is surely Gould's last word on the GV, whatever the critics may think. Related Torrents; Glenn Gould - The 1955 Goldberg Variations (2005) TQMP 237.10MB; J.S. Glenn Gould. While Glenn Gould's 1955 debut recording of Bach's Goldberg Variations has attained legendary status, there are many devoted fans who rank the 1981 recording just as highly, even though it offers a dramatically different interpretation. I'd have to choose the 1955 recording. I'll have to dig out my copy. Thanks to a potent mix of rhythmic precision and blinding-fast tempi—just listen to the liftoff of Variation 5—Glenn Gould burst onto the record industry's radar with his 1955 performance of this Bach masterwork. What remains constant is the mastery of the playing. Complete your Glenn Gould … Nowadays, I find them both to be very much afflicted with his mannerisms and those mannerisms break my concentration. I voted for 1981, although I don't really prefer one recording. The two contrasting interpretations of Bach 's Goldberg Variations were the bookends to his great career and they became his most famous recordings. Reissued together now to mark the 20th anniversary of his death, the two recordings of the Goldberg Variations provide a fascinating comparison. In the subsequent 20 years, Gould's reputation and stature as one of the most important pianists of the 20th century have been maintained, and these two recordings especially have achieved near legendary status. Both performances are acts of profound artistic creativity, and both are essential parts of any CD collection. Little can be added to all the critical accolades heaped upon Glenn Gould’s Goldberg Variations, be it the pianist’s landmark 1955 disc debut or his similarly individual, though strikingly different 1981 remake. I first heard it in college, and I can still remember the shock that Bach could be played with that dynamic. Bach: The Goldberg Variations is the 1955 debut album of Canadian classical pianist Glenn Gould. In the words of Michael Stegemann: “It was with the Goldberg Variations that it practically all began and with the Goldberg Variations that it practically all ended.”[1] Gould’s monumental 1955 recording of the Goldberg Variations, revisited one year before his death in 1981 still remains to this day a cornerstone of t When I was younger, I thought that no one would ever be able to do the Goldberg's after Gould. The 1981 is remarkable in managing to set out the Goldbergs as a great and unified work -primarily done by one sense of pulse throughout the work as you say. Listening to the 1981 version makes me feel very much at peace. In 1981, just a year before he died, the great Canadian pianist Glenn Gould returned to a piece he'd first recorded at the very beginning of his career, in 1955. - Joachim Kühn. Sales were "astonishing" for a classical album: it was reported to have sold 40,000 copies by 1960, and had sold more than 100,000 by the time of Gould's death in 1982. His strange and reclusive behaviour (he abandoned recitals altogether in 1964, and concentrated solely on recordings) only added to the controversy. Ceremonial old guy, bifocals and all.All the philosophy he can muster can't solve the mysterious double-post. It can be said that two versions of the Goldberg Variations by Glenn Gould are the typical examples of these two ways. That would be the early set. The earlier one has been scrupulously remastered for the new album, and sounds more lifelike and immediate than ever before. There is no pain playing Bach, it is being unable to play that wounds most deeply. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. Glenn Gould’s recording debut in 1955 of Bach’s Goldberg Variations took the world by storm. Appropriately, the pianist also closed his studio career with a more ruminative (yet still exciting) version, in 1981. Glenn Gould's Goldberg Variations: 1955 or 1981, which do you prefer? Thread Status: Not open for further replies. I've grown up hearing Glenn Gould's two performances of Bach's Goldberg Variations. 3min 5sec for '1981'.

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